Showing posts with label celebs. Show all posts
Showing posts with label celebs. Show all posts

Tuesday, November 26, 2013

The Real Truth... On Dana and Lara

English


If you have been anywhere near a computer or a smart phone in the past few weeks, you probably already know about "The REAL Truth".

My own personal truth is, as an Arab (and more specifically an Arab woman) I have always felt cheated by Arab leadership. Our people are never heard and those who gain enough exposure use archaic (pathetic) and boring approaches to voice their causes (because it's usually their own causes although wrapped in a nice "for the people" package). 

We have become accustomed to the long - oh so terrifyingly long - speeches packed with overused and abused slogans and washed down with a cup of your finest propaganda (which, and this may come to you as a surprise, dear politicians, does not age well - it's propaganda, not wine).

Well, the disappointment ends here, folks:





All Hail The Women with brain, beauty and immaculate English accents!
Did you just see that? 
Did you just hear that?

These women rock!

Not because of their English proficiency which incidentally is an added value when talking to non-Arabs (no, we're not all bearded terrorists who speak like Bond villains and therefore must be evil). 

Unlike the usual  "no, that is not true, Israel is evil, look, they are killing our children" speech that we keep hearing and although true but never built on clear, intelligent argumentation; this video actually answers specific propaganda with wit and facts. Facts. Facts. Not just slogans and arab nationalism cheers. We are not robots who have been repeating the same thing decade after decade. We are human beings who have been fighting for our right to exist decade after decade. 

And they are women. Beautiful, intelligent, educated and well-read young women. Yes, it may sound like good PR to have a gorgeous face associated with the Palestinian cause, but mostly, to me, it is more than that. It shatters the stereotype that Arab women are submissive victims at the hands of their abusive men, societies and religions. We all know, far too well, that domestic and women abuse remain continuous problems worldwide (unfortunately). So for the West to patronize us about it, over and over again, depicting our Arab women as weak, uneducated and unable to fight for their own rights is simply laughable. Look at yourselves first. And look at our women. In the above video. Not all Arab women are that well-spoken and educated? True. Neither are all Western women. Or men for that matter.

Ok, clearly, I am a fan. 

And I could not resist contacting Dana Dajani and Lara Sawalha to find out more "The REAL Truth" and the brilliant people behind it.



So who are Dana and Lara?

Dana Dajani: My name is Dana Dajani, my father is Palestinian from Jerusalem and my mother’s parents are Syrian/Gazan. Born in Jordan, raised between the US and the Middle East, I studied theatre in the United States and received my bachelor’s of fine arts in Chicago. I moved to Dubai two and a half years ago to help promote the performing arts in the Middle East.

Lara Sawalha: My name is Lara Sawalha and I'm a professional actress by trade, trained at Italian Conti Academy of Performing Arts in London. My mother is British, but she likes to say she's as Arab as they come, even with her blonde hair and blue eyes, and my father is Jordanian. I am fortunate to have them both be in the arts.

Photo courtesy of Dana Dajani



How did you get into films? Was it your very first experience with that medium? 

LS: My mother is a writer and my father is an actor/director/writer, which is where I found my passion for all things dramatic. My first proper stage appearance was with my father performing a politically satirical play, which is his forte, when I was 17 and the road was paved from there. I've been working in theatre and film for a while, but this specific genre (the YouTube clip) is a first for me and hopefully not my last ;)

DD: My passion is theater but I started working on films in Chicago and have probably acted in over 30 short films. This film was my first time working on a white screen interacting with animation!



How did the two of you meet and have you collaborated on common projects in the past? 

DD: Lara and I met on set at Kharabeesh studios in Amman in April 2012. We had never known about each other, but we ended up working together on another project for Bath Bayakha soon after, and have plans to collaborate on more work soon!

Photo courtesy of Dana Dajani



Why did you feel the need to answer Danny Ayalon's ad? Israeli and Zionist Propaganda isn't a new phenomenon, so why now? What was it with Ayalon's ad that made you tick? 

DD: I saw the video when it first came out two years ago and thought, how can there be such straight-up propaganda disseminated in our day and age, as if it was regular creative content for consumption? But honestly, all it takes is a good script and a production team and you can make anything happen. It angered me but I knew that personally I didn’t have the resources to properly respond. Lara and I were lucky to be presented with a good, punchy script, and a willing team to make it happen, so the question became why not? If not now, when, and who?

LS: I hadn’t seen the video until I got approached with the script, and when I saw it she I compelled to answer. We were given a chance to present an alternative view and we stepped up to the challenge.



What was the goal behind this casting? I'm loving the fact that Ayalon is massively arrogant and pompous and instead of having someone of his "caliber" speak to him, you opted for the totally opposite and in turn managed to ridicule him even more. 

DD and LS: Often times the Palestinian resistance is mostly comprised of young men, and overall this whole conflict is plagued by men- “old men dreaming wars for young men to die in”. We added a feminine element, we spoke for the youth. And at the end of the day, it’s all about public appeal: here were two females talking, more or less, like men, a bit cheeky and totally confident. It worked.



Where was the video produced and why? 

DD: The script was written in Ramallah, Visualizing Palestine is an international company, and Kharabeesh is in Amman, Standub.com is based in Dubai. I was living in Dubai, Lara was living in Amman. So we all gathered in Amman to make the video over two days. We shot on a white screen in one of Kharabeesh’s studios, using a simple Mark D7 (I think). We had lapel mics, and we macygvered a sweet-ass teleprompter out of an ipad, a reflective piece of glass and a podium.



That sounds so cool! How long did the production take and what tools did you use? Can you tell me more about the technical crew behind the film and how they worked? 

DD: Lara and I performed pro bono, it was a passion project for everyone. I’m pretty sure the animators worked pro bono too, which is why it took a year and a half to edit. As for Kharabeesh post production tools and team.

Jamil at standub.com, who directed the piece insisted "My aim is to highlight the fact that the writing and research was done by VP and Standub and the execution by kharabeesh. It was a group effort.

The 'nuances' and comedy was thought of and directed by the people from these 3 companies. The cost is that of research, scripting, actors, filming in a studio with green screen, editing, and then seperately days and days of animation and fact checking.

The point is, although this was a collaboration, modern day technology means that all you people need is a camera with some lighting and a laptop to make it happen. The important part is a) making it factually correct and b) getting the 'tone' right with people who understand humour. And we were lucky to have that behind and in front of the camera in this case.

The elements that went into producing this video were thought through and intentional. We would like to encourage others to collaborate and answer fiction with fact".

Photo courtesy of Dana Dajani



Now the content is brilliant! Who was behind the research and the script? It is so well written, not crowded with information and yet informative enough to discredit Ayalon and any previously heard lie about Palestine or Israel. 

I believe the writer would like to remain anonymous. Here’s something he wrote:

"Let them not know who's behind it, which is what I would prefer, hence why I did not take credit. People fear what they don't know. I want the Israeli government to fear that there is a growing movement of young Palestinians ready to respond to their rubbish propaganda. In a recent report issued by an Israeli think tank, The Reut Institute, they concluded that the BDS movement was the greatest threat to the existence of Israel because it was not one body they could target. Rather, it was a loose coalition of individuals and organizations united by ideology with no commander-in-chief.

Ayalan's argument was that because a Palestinian nation did not exist, Israel did nothing illegal. That's like saying nothing illegal was done to native american's because they didn't have an official 20th century style "nation state". What we were essentially saying was that we didn't invent our identity homie - Palestinians, the identity of the people who lived on this land, always existed. Our self-determination - and Israel's denial of our self-determination - is not contingent on any past form of "nation" status. To quote Shakespeare "What is the city but the people?

Except we chose to say this in a different way. No one has ever responded to official Israeli government propaganda like this. We just upped the ante".



I love the fact that for once, Arabs (and women at that, the stereotyped gender of weakness and submission) with immaculate English address the Western world. We can agree that PR-wise, the Arab world hasn't done very well. This video is a fantastic respond to all of that. At one point, you make fun of Ayalon's English accent which to me is so funny because Israelis love to emphasize their "Western" side when talking to the West and of course, directly or indirectly make fun of Arab politicians, leaders and general people for being or sounding too "Arab", as if being Arab is a characteristic rather than an identity. And a ridiculous characteristic at that, a characteristic that they feel are entitled to mock because it inferior and a reflection of terrorism (if we are not all white, English speaking folks, then we must be terrorists). How and why did you decide to do the same by mimicking the Israeli accent and what were your goals? 

DD: Honestly, it wasn’t a planned malicious attack. I was getting carried away in the moment of talking. What we do for a living a living is PLAY, so we tried bringing the element of play to more serious content. I’ve honestly been getting a lot of flack from Israeli’s calling me racist. My response is this: check out my comedy on my youtube channel. I make fun of many accents. Watch any good stand up comedian, see how long they go before putting on a character accent. It was all in good fun. And besides, If you cant laugh at yourself, no one will take you seriously.

Photo courtesy of Dana Dajani



The video went viral in a matter of hours, and with good reason. I am also confident the "debate" online must be heating up. What was the response from the Western world. I guess the Arab and Israeli responses are pretty straight forward but I'm wondering how other parties are responding and viewing this? 

LS: Arabs love it, they send us lots of praise, “we’re proud of you, bterfa3o il ras”, for a while we were getting a lot of support mail. Some Israeli’s have reached out to tell us that we “cannot change the course of history”. They’ve also dedicated blog posts to bitching about this video and the comments are pretty hateful. There was a British Pakistani ex-Muslim pro Zionist who blasted me on twitter, and now she follows me.

DD: One blogger actually investigated us and went so far as to call me a “whore” because I am a model and “Hamas would disapprove of my photographs”. For a few days it was pretty stressful because all of my social media sites were being trolled by Israelis posting really hateful and disgusting things (“you’re an arab, this is what I think of you.” then posting a link of a Syrian girl being decapitated). I’ve also gotten responses from Americans, Spaniards, and people from the Netherlands, thanking us for making this video and opening their eyes.



If someone decides to poke at your video and its content, do you plan to retaliate? 

DD and LS: So there have been blog posts and a debunking video. Also someone has asked to do a response video for another film. I don’t know if the whole team will be involved. But we definitely want to keep up the energy now that this is out.



Your video has done tremendous good in spreading information that people tend to forget or don't even know. Do you plan on making more of these videos to educate the West about our issues? 

DD and LS: We would love to do another one, even in response to the rest of his videos. Because this is fresh, it’s the most commotion that’s happened about Palestine in a while. Usually it’s the daily article on something or other being destroyed. So we’d like to keep generating creative content about the causes dearest to our hearts.

Photo courtesy of Dana Dajani



Any final words to Ayalon? 

DD and LS: We’ll be back.

I'm fed up to the ears with old men dreaming up wars for young men to die in.  ~George McGovern

One determined person can make a significant difference; a small group of determined people can change the course of history. ~ Sonia Johnson



As you're about to click away from this site, don't forget, sharing is caring, so keep the momentum going and help spreading "The REAL Truth" all around you.





And stay tuned for more by Dana Dajani as she prepares to release her upcoming video:
Love Letters From Palestine
A Poem Filmed in Bethlehem   



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Saturday, November 9, 2013

Twice Upon A Time

English


My friend Niam Itani will be celebrating her birthday soon. Why is it relevant to this blog? Well it is not really. But her wish-list at the moment includes only one gift: to have the opportunity to produce her upcoming film.

So I thought, what better way to celebrate the birth of a kind and talented soul than by supporting the birth of her wonderful project:

Source: Placeless Films


The cinema industry in Lebanon and the Arab world is usually brutal. Especially for young talents who do not have influential connections in the entertainment world, let alone those in the documentary field. Money does not come easy and yet, those films are how we can write our history. Our legacy. 

So why should we care?

Because although a little fun is always welcome, we have a responsibility to leave behind a trace. Something that speaks of our humanity, not only our surgically enhanced beautiful women or unbelievably brain-numbing (so-called) arts. 

How can you make a difference?

The internet is a fantastic medium because it connects people together in ways like we had never knew possible before. It is brilliant because it opens doors to infinite information and knowledge. And it is fantastic that way because people who want to make a difference can reach other people willing to help them and get the support they need to follow through and actually do something. 

This is how inspired independent filmmakers who wish to keep their integrity intact and tell their stories, genuine stories, are now reaching out to all of us. Through crowdfunding

You can now be part of the making of films you care about. How amazing is that?

What is Niam's story?

In her own words, "In 1989, my parents left Beirut for a small village in the Bekaa Valley called Ghazzeh. I was eight years old. In 2012, Khalil's mother left Syria and took refuge at our house in Ghazzeh. Khalil was ten years old. This film tells the story of my friendship with Khalil, and our efforts to find hope and joy in the midst of madness and despair. It is also a personal reflection on childhood, nostalgia, home, belonging, memory and war".

To find out more about the film and Niam, please follow this link. Trust me, you will not regret it.

And if you can, please help us tell the story of Niam and Khalil. Leave a trace with us. Donations can be made through that same site, and the smallest gesture is impactful. Even if it is to simply spread the word. So please do! And if you decide to be part of the film and donate, then that would simply be phenomenal and unbelievably generous!

This is one story Niam cannot wait to tell with you and to you.

So thank you for taking the time to read.
And thank you in advance for taking a moment to help.



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Friday, April 26, 2013

Two cute little flies on the walls of...

English


... The Lebanese Parliament.

They saw it all and lived to tell.



You know I love Michelle and Noel Keserwany

These two gorgeous and talented young ladies seem to know how to do it all. They write their own lyrics, compose their own music and even animate their own videos! Gotta love multifaceted artists. 

And to top it all, they are always right! 

You do not believe me? 
Click on "play".


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Saturday, December 15, 2012

Jewelry For A Smile

English


Ibtissama is one of my favorite organizations in Lebanon. And with good reason: their mission is to brighten the days of children stuck in hospital beds, what could be kinder than this? If you want to learn more about what they do, swing by the interview that first introduced me to their Clown Doctors ;)

Now Ibtissama is going to make you or someone you love smile too. They just launched a Jewelry line in collaboration with MAC DESIGN:

Jewelry for a cause: the Launch of the Ibtissama collection by Mac Design  
Ibtissama’s mission is to bring a much-needed smile to the faces of hospitalized children in Lebanon. Ibtissama’s Clowns Doctors were able to reach and make 13,130 bed visits to hospitalized children; most of them suffer from cancer and other chronic illnesses. The four hospitals that Ibtissama project currently covers are Rafic Hariri University Hospital, the American University of Beirut Medical Center including St. Jude affiliated Children Cancer Center of Lebanon (CCCL), Hotel-Dieu de France and Makassed General Hospital. Ibtissama hopes to widen the reach to other hospitals with the increased support of the Lebanese Society. As part of sustaining its activities in Lebanon for its fourth year running, Mac Design partnered up with Ibtissama to create the full range Ibtissama jewelry collection. 100% of the proceeds will benefit Ibtissama's mission. The collection can be found at all Mac Design branches. 
For further information you can call the project coordinator Ms. Sara Kabbani, Smile Foundation, 01-801264, Mobile: 03-915806, email: sara.kabbani@ibtissama.org

The designs are very cool and they would make for perfect gifts this Christmas or on any other occasion:








Necklace and bracelet are at 30 US Dollars only and ring and earrings at 45 US Dollars only. It is worthwhile noting 100% of proceeds are donated to Ibtissama.

So why don't you rush to the nearest Mac Design store now (ABC Ashrafieh, ABC Dbayeh and Saifi Mar Maroun Street) or get in touch with Ibtissama for more information:

  • Address: 135 Sakiat Al-Janzeer Street, Jade Bldg., Ground Floor, Ain El-Tineh, Beirut 2039-4505, Lebanon 
  • Phone: +961-1-801264 EXT: 115 
  • Fax: +961-1-790879 
  • Email  
  • Website 
  • Facebook  
  • YouTube  
  • Twitter



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Wednesday, June 13, 2012

Introducing Young Talents: Niam Itani

English


Niam Itani is a storyteller. She takes pieces of life and translates them into words, narratives and tales. She gives life to what is inanimate. To chunks of abstract. To snapshots of imagination. She has no children but she is the mother of tens of souls. They live in her pages and on the screen where their lives are rendered into moving images.

Because Niam Itani is a filmmaker.

Born in Lebanon where she lives and works as an independent screenwriter and filmmaker, she graduated from the Lebanese American University with a Bachelor Degree in Communication Arts and a Master's in Education. She then completed her Graduate Screenwriting Program at Hollins University in Virginia, USA before returning home to her alma mater where she currently teaches screenwriting.

"I worked for five years at Al Jazeera Channel in Doha, to get some experience and save money for my graduate tuition fees. When I returned from "Exile" (ghirbeh) people thought I had come back with a fortune, when in fact I was paying my savings for my Screenwriting MFA, so I returned with a degree instead. It was my dream to study screenwriting since I finished my undergrad degree in 2000, but for older relatives and acquaintances in Lebanon, the only good thing that come out of "ghirbeh" should be cashable at the bank. I think for them I might still be a failure". (smile) 


Some might disagree. In fact, Niam has been successfully featured in many film festivals worldwide and her latest short, Super.Full. has been selected out of more than 15,000 films from 160 countries, to compete in Your Film Festival, an online film festival organized by YouTube and Google Inc., in partnership with Sir Ridley Scott and the actor Michael FassbenderSuper.Full. is the only film from Lebanon and one of two Arab films in the competition.

Niam Itani

What got you interested in filmmaking? 
It was simply my desire to do something different than others when it was time to choose a major at university. I knew what I didn't want so I chose Communication Arts with an emphasis on Radio, TV and Film. And I fell in love with filmmaking.

Who is your favorite filmmaker?
Every passionate filmmaker is my favorite filmmaker. The first was Andrei Tarkovsky and countless others followed.

How would you describe your film education? 
My undergraduate and graduate film education were both so overloaded with film and theater work and so much fun, mainly because of the overnights that helped create lifelong friendships!

Is there anyone you call a mentor? 
Every teacher in their own realm were mentors. There isn't enough space to mention them all. I have a special place in my heart for my theater teacher Lina Abyad because she transcended the traditional student-teacher relationship and gave me advice on lots of issues that were life changing, with or without being aware of it!

What advice do you have for students interested in attending the same school? 
Anybody who wants to go to film school needs lots of passion, lots of courage and craziness and lots of discipline. I know that the last two are very difficult to balance, but that is my advice to every film student who wants to succeed.

What sort of internships and jobs have you had and what advice would you give to students interested in gaining the same types of opportunities?
I consider every free gig I worked on since I was a student and until now an internship. A special internship was the one I got at Aljazeera because it taught me alot and was a platform to work along many experienced and veteran journalists and filmmakers. My advice for students looking for opportunities is to say "YES" whenever they have time, and make every opportunity a learning experience. Get to know as many people in this industry as you can.

Super.Full Poster

Tell us about your experience at festivals.
The first time one of my films competed in a festival was in 2005. A short documentary I made was chosen for Aljazeera International Documentary Film Festival in Doha, Qatar. I was 24 and for someone who hadn't traveled much it was a thrilling experience. Later my student film in Hollins won an award in a student film competition in Canada. Super.Full. is the best festival runner so far. It has been selected in 14 film festivals so far and Your Film Festival is the 15th one. Festivals are an excellent way to get your work and yourself out there. They introduce you to new countries and new cultures and for an introvert like me, they put me face to face with strangers. Although I always beg a friend to meet me wherever I fly!

What areas of filmmaking interest you the most? 
Screenwriting is what interests me most. I am a loner. I love the idea of plugging my earphones and pouring my heart out on the page. I enjoy the acts of creating and manipulating characters, and above all, I love telling stories.

You have worked in Theater. How does it differ from Film and where do you feel most "yourself"?
Theater and film are spiritually very fulfilling for me. Theater carries much more thrill, being live and raw. For now I see myself writing for films, though I'd love to try playwriting in the future.

You also have worked in TV. What are some of the main differences between cinema and television? Are there specificities to the Arab world in that regard?
I can't compare Cinema to TV. Film is Art. TV can be art, but it is business. In the Arab world, unfortunately, most TV stations are propaganda outlets. I always advise my students to stop watching TV when they are working on films.

What do you consider the elements of a good film to be? Name a film you would regard as an example. 
A good script, first and foremost. Of course a harmonious production team is always needed to translate the writer's and/or director's vision to the screen. There are lots of good films out there. American Beauty and Little Miss Sunshine are two films that I refer to often in my film classes. I am also a huge fan of the Coen Brothers' films.

You teach screenwriting, name the one film you consider to showcase excellence in screenwriting.
I always change the examples I use in my classrooms, mostly to challenge myself and study more screenplays every year. This year I used a Russian film to show good screenwriting: The Return. The year before I used American Beauty. A Separation was an excellent screenplay for this year, and I thought it deserved the Academy Award for Best Screenplay par excellence.

What sort of things do you study when watching a film?
Sometimes I just let go and don't consider anything. But most of the time I can't help but watch for plot points, act breaks, character identifying lines, etc. It becomes intuitive.

Who are your favorite screen actors and why do you admire their work? 
I don't have an all time favorite screen actor, but I love certain actors in certain roles. There are some that earned immortal acclaim like Al Pacino in Michael Corleone, or Robert De Niro in Taxi Driver, Jack Nicholson in Chinatown and many others. I mostly admire actors work when I feel that they took a challenging role, not one that "fits" who they are. Brad Pitt in Burn After Reading is an example that jumps to mind.

What are your best qualities as a filmmaker? 
I have a thing for observing life and people around me and a good eye for detail.

Your worst? 
I try to please everyone.

What inspires your work?
Daily life, for the most part, is where I get my inspiration.

What is the most inspired project you have done? 
My most inspired project is a screenplay I wrote really fast last year. It is my heart's favorite because it is a comedy, it takes place in Beirut, and its protagonist is a "Itani". I am waiting for my screenwriting experience to increase in order to polish the script well. But it is my favorite screenplay so far.

Super.Full.

Tell us about Super.Full. 
Super.Full. slowly developed over the years, between 2007 and 2010. I come from a middle class family and when I saw the world I was exposed to so much poverty and so much wealth, the differences made me sick -literally. But I noticed that the poor were always more content. That was my motive to make the film. The filmmaking process was facilitated with lots of help from my friends and from MAISHA (the Mira Nair association) and from the Doha Film Institute because I was a Qatari resident at the time. DFI assisted us with the equipment and the facilities and key production people, namely a professional DOP and Sound Recordist, and the rest was personal investment. There were lots of production challenges really but none of them was major. I will be publishing "Super.Full. stories" on my blog which everyone is welcome to read and learn from, hopefully. Distribution wise, websites and distribution arms contacted me after festival screenings to show the film for a fee but I refused. I made this film because I want it to be seen and I was planning to make it available online for free, whether through Your Film Festival or simply Vimeo and YouTube.

Are you working on anything new?
I am working on my first feature film, which I hope to film in September 2013. It is a drama intended for theatrical release and festivals alike. We still didn't send out the rewritten script to anybody yet but we will be submitting it to major production grants and funds later this summer and next fall. I am looking for funding but I am a firm believer that with tighter financial power, more hearts go into production. And a production with more heart is usually better on screen than one with more cash. 

How would you describe the film industry in the Arab world and in Lebanon in particular? 
I love that there were many Lebanese films produced last year and this year. There is no industry yet, per se, in the Arab world. But that doesn't mean we cannot make good films. Nadine Labaki made two films that won international acclaim and she is paving the road for other Lebanese and Arab filmmakers. For the mere fact that she gives us hope, I think we have to salute her efforts.

What advice do you have for anyone interested in trying to succeed in our part of the world?
The journey is long, so don't let go. Be in it to win it. Be bold, be free, be truthful.

Super.Full.

If you hadn't been a filmmaker, what profession would you have chosen?
Anything that has to do with writing.

Outside of films, what are your hobbies? 
Tennis, soccer (football), reading, photography, music, life!

If you were stranded on a desert island with only one item, what would it be? 
My eyeglasses, please!

Where do you see yourself in 10 years? 
Hopefully writing screenplays for other directors. I have lots of stories to tell and I enjoy writing more than directing. I hope some people would want to put those stories on the big screen.

Where can readers view your films and learn more about you? 
My website for a professional version or my blogs (here and here) for the human version. They can also follow me on Twitter, Facebook, LinkedIn, I am all over the place! (smile)


In one word, if you were a

Film? The English Patient 

Soundtrack? Babel

Book or literary piece? Annabel Lee - Edgar Allen Poe

Color? Navy Blue

Shape? Circle

Famous character (real or fictional)? The Talented Mr. Ripley!

Super.Full.


Make sure you watch Super.Full. here and vote

This one tiny click of yours can make a huge change as Your Film Festival is now inviting everyone to take part in the voting process in order to select the films that will be screened at the Venice Film Festival. You can vote once a day, every day, until July 13th so make sure you try to pass by daily so Niam can get a shot at making a film with Ridley Scott's production company! 

How awesome would that be, right?

     

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Thursday, May 17, 2012

Baby keep smiling ... :)

English

Life laughs at you when you are unhappy
Life smiles at you when you are happy
But, Life salutes you when you make others happy

Charlie Chaplin

Charles was a wise man. Indeed, there is nothing more honorable than the selfless act of bringing joy into someone else's life. Especially if that life is shattered with pain. And even more so, if that pain is dwelling heavily in the heart of a child.

So I cannot be prouder with the organization I am about to introduce. And I have Cupcake Box to thank for that. The amazing and ever so generous Randa is doing the awesomest job in identifying honest and worthy charities each month  and inviting us all to support them by indulging in the sweetest of sweets.


Therefore, by ordering cupcakes throughout the month of May, you will effectively be supporting Ibtissama, Smile Foundation a wonderful organization with the noblest of missions: "Bring smiles, fun and laughter to hospitalized children, especially those with chronic illnesses, through visits held by specialized 'Clown Doctors'" explains Sara Kabbani, Ibtissama's project coordinator at the Smile Foundation.

The young AUB alumna with a Bachelor degree in Nutrition and Dietetics goes on to reveal that "in Lebanon, there are many NGOs and institutions that help cover the cost of treatment for cancer children, which is highly appreciated and praised. But Cancer doesn’t just affect the body; it also takes its toll on the psyche of the child, his parents, and his siblings. And it has been proven that the patient's mood, psychology does affect his body's response to the treatment. In many scholarly articles humor and laughter have proven to be very potent “medicines”. They have shown to produce positive effects on pain relief, cardiovascular wellbeing, stress relief, immune system boosting, and respiratory health. Similarly, psychosocial care which includes hospital clowning was found to be a protective factor against developmental delays, emotional withdrawal and behavioral regression. Ibtissama is the only NGO in Lebanon and the MENA region that works on that aspect of a sick child's treatment."

So we decided to have a chat with Sara and learn more about the organization she so passionately champions.

Sara Kabbani
Photo courtesy of: Sara Kabbani

How does a Nutrition and Dietetics graduate end up in the "smile business"?

I stumbled onto NGO work by chance and I fell in love with it, I was coordinating Ibtissama's activities back when it was still a small program in Ajialouna Association. As of January 2012, Smile Foundation became the sole manager of Ibtissama. Needless to say that I was over the moon when I was asked to join their team. My role as project coordinator is as versatile as it gets, from being responsible of all the day-to-day operations of the foundation to coordinating Ibtissama Team weekly hospital visits, training, payment, media relations, fundraising events, budget and sponsorship issues. And  social media, yes, I am the one flooding your timeline with constant Facebook and Twitter updates! (winks)



How is your work perceived by your entourage?

My friends and family are very supportive of my work, thanks guys! (smiles)


How does the Smile Foundation work?

A stay in hospital can be a daunting time for children; away from home and the people they love. Imagine their delight when 'Clown Doctors' transform the room into a magical space. 'Clown Doctors' can be very instrumental in uplifting a child’s mental state. They provide a distraction from the daily hospital routine. The effects can truly be emotional even magical at times: the interaction with the 'Clown Doctors' whether silently or interactively can result in breaking a child’s long silence to bringing fun and laughter back to the child. Without of course accounting for the positive impact it can have at times on the parents. We have 11 Clown Doctors conducting 120 weekly hospital bed-side visits to 120 sick children in 4 hospitals in Lebanon. Behind the success of Ibtissama hospital visits lies true commitment of its founding team, Smile Foundation administration, board members and staff, Théodora Foundation administration, the 'Clown Doctors', hospital staff and administration, trainers and sponsors. Ibtissama's idea, training and work protocols are modeled on those of the successful Theodora in Switzerland, operating in more than 10 countries across Europe.

Photo Credit: Ibtissama

How do you support your operations?  


Ibtissama sustains its activities with the support of generous donors, corporations, organizing fundraising events and so forth. We welcome every one to donate: there are no small donations as every dollar adds up and helps us make our work possible.


How did the Smile Foundation come to life? Who was behind the idea and why did they feel the need to create such concept? 

Mr. Ali Mouhanna, president of Smile Foundation, met Mr. André Poulie, president of Théodora Foundation at a P and G alumni reunion. The latter was hospitalized as a child. Being sick and not having his toys, friends or entertainment, he felt emotionally down and depressed. Théodora, his mother, soon found ways to uplift him by dressing up into different characters and sneaking into the hospital. Her overwhelming cheerfulness gave him so much strength and put some life back into him. In her memory, André and his brother created, in 1993, the Théodora Foundation in Switzerland whose aim is to bring smiles, fun and laughter to hospitalized children by having specially trained 'Clown Doctors' visit them in hospital rooms. In 2009, Mr. and Mrs. Mouhanna adopted the idea for Lebanon and launched Ibtissama in partnership with Ajialouna Association. As of 2012, Smile Foundation became an independent non-governmental entity managing the Ibtissama project.



What are the hospitals that collaborate with you? 

Since 2009, 'Clown Doctors' have been part of the hospital routine of the Rafic Hariri University Hospital, and the American University of Beirut Medical Center, including Children Cancer Center of Lebanon (St. Jude). In 2010, the project expanded to Makassed General Hospital as well as Hôtel Dieu de France. 'Clown Doctors' visit Makassed General Hospital on Mondays, Hariri University Hospital on Tuesdays, Hôtel Dieu de France on Wednesdays and the American University of Beirut Medical Center, including Children Cancer Center of Lebanon (St. Jude) on Thursdays.




Do you have any plans to expand to other hospitals in the country, and eventually beyond the Lebanese borders?

With time, Ibtissama aims at expanding its coverage to reach additional hospitals all over Lebanon and expanding to cover other countries in the MENA region. This all depends on whether we are able to fund this expansion, which again relies on individual and corporate donations.

Photo Credit: Ibtissama

How can hospitals or healthcare professional request your services? 

One of the conditions for us working in a hospital is it having a pediatric oncology ward. We expect there being adequate space for the 'Clown Doctors' to get ready and the cooperation of the nurses that need to provide data regarding patients (name, age, disease). 




How was the Smile Foundation welcomed by healthcare professionals and organizations? 


The fact that we are working based on the very successful Théodora Foundation model is a relief to hospitals as they are very careful with letting anybody in, especially around oncology patients who usually have low immunity. Our work protocols and professionalism are key factors to our success. Hospital administration, doctors, nurses, parents and patients love our 'Clown Doctors' and they always ask us to come more frequently. Their appreciation and love is what gets us going as it reflects the importance of the work our 'Clown Doctors' do. 



What about parents and patients, what are their reactions when they meet you? 


Once the 'Clown Doctors' arrive at a hospital ward, if parents happen to be in the hallway, you see the big smile on their faces and they quickly enter the room of their child to inform them that the 'Clown Doctors' have arrived. Sometimes, if the kids are able to walk, you can see them gathering in front of their room's door looking for the 'Clown Doctors' and patients wait eagerly for them to come. Sometimes, even after the visit to a patient's room, the same patient follows the 'Clown Doctors' to another room. These 5 to 15 minutes spent in each room are magical indeed. 




How are visits to the hospitals scheduled and based on what criteria? 


Upon agreement with the hospital administration, we set a mutually convenient day of the week for our 'Clown Doctors' to visit the pediatric and oncology pediatric wards of the hospital. We take into account meal times and Doctors' round time. 




What is a typical hospital visit? How do you prepare for it and what activities do you do at the hospital?  


A typical Ibtissama day starts the day before! During the preparation phase, 'Clown Doctors' prepare all their equipment and paraphernalia the day before their hospital visit. Most importantly, they have their gowns cleaned and disinfected. Because 'Clown Doctors' perform visits to different hospitals on different days, they have a pre-set schedule that points out the exact date and location of each visit. The schedule is also shared with each hospital administration. 'Clown Doctors' wear their usual street clothes on their way to the assigned hospital. 'Clown Doctors' costumes, gowns and shoes are only used for 'Clown Doctors' work. Sanitization of the whole 'Clown Doctors' attire is essentially performed before each and every visit. Hospital staff look forward to the 'Clown Doctors' scheduled visits. 


Photo Credit: Ibtissama

Upon arrival, 'Clown Doctors' start their work at the pediatric oncology care unit, based on their infection control protocol. They salute the nursing and medical team, and then they use a clean changing room to get dressed and to prepare their guise. Their costumes have only few basic colors to minimize stimulation. Minimal makeup is used, if any at all. The famous Red Nose is fixed in place and the 'Clown Doctors' are ready to charm the children. Inside a child’s room is where all the magic happens! Just before the 'Clown Doctor' begins the visits to children’s rooms, a short meeting is held with the nursing staff, to learn all children’s names, cases and special considerations. The 'Clown Doctor' then plans the order of room visits based on each child’s medical and psychological state. The 'Clown Doctor' would then head to the first room, where he or she asks the child for permission to enter the room. If the child allows, the 'Clown Doctor' makes an entrance that captivates the child’s attention and raises his interest. The 'Clown Doctor' uses body movements, suggestion games, role play, music, colors, juggling, soap bubbles and many other techniques intended to make children and their families fascinated and cheerful. Having opened a window for the change of mood, the 'Clown Doctor' salutes the child and the family, and leaves to another room. Sometimes, before leaving, the 'Clown Doctor' offers a special symbolic gift as a souvenir for the child. 




How do you decide which patients to visit?


'Clown Doctors' visit all children rooms in the hospital; regardless of age, gender, social, or economic background. The only requirement is the child’s and/or the family’s permission. 




Can parents and families of patients also contact you to request a visit? 


We cannot do a one off visit to a hospital we do not cover as there are many parameters to take into account.



Who are the 'Clown Doctors'? How do you recruit them? Do they have any trainings whatsoever in drama or otherwise? 


'Clown Doctors' are not just any clowns, they are individuals with the ability to improvise; most of them have a background in theatre and music. The training of Ibtissama 'Clown Doctors' takes up to a year and is divided into three areas of study: practical training, theoretical training and psychological training. 


After a rigorous recruitment phase, done in collaboration with Mr. Rodrigo Morganti - Dr. Strettoscopio, the lead trainer for Théodora Italy and an international trainer with the Théodora group of foundations, the selected candidates undergo the year long training before being able to work in the hospitals. 


The practical training includes the overall expressive, technical and artistic education required to become a 'Clown Doctor' provided by Mr. Morganti. Practical training takes place both onsite, at hospitals and offsite, outside of hospital premises. Onsite training starts with observation: candidates actively observe their fellow 'Clown Doctors' which allows novice and junior 'Clown Doctors' to gain knowledge by critically observing their colleagues. Onsite training gradually incorporates active performance by 'Clown Doctors' under the supervision and appraisal of an authorized trainer. Offsite training takes place in a calm space away from the hospital, where the coach guides 'Clown Doctors' in practicing technical skills, proposals and artistic talent. During these sessions the floor is open for exchange of ideas, sharing experiences, self critique and raising suggestions.


Photo Credit: Ibtissama

The theoretical training includes a custom-made educational course provided by professors and instructors from the Hariri School of Nursing at the American University of Beirut. This training course introduces candidates to the therapeutic environment of hospitals in addition to a general overview of children’s common illnesses that 'Clown Doctors' are likely to meet in any pediatric ward. The training essentially includes extensive exercise on both standard and case-specific precautions for infection control, on top of which is safe hand hygiene practice, and safety measures for the children with low immunity. 


The psychological training of Ibtissama 'Clown Doctors' is provided by renowned psychotherapist, Dr. Marwan Gharzedin. This type of training aims at familiarizing the 'Clown Doctors' with the psychological development stages of humans in general and children in specific. It also includes an extensive education about the psychology of hospitalization, and how sick children and their families experience illness and hospital stay. Psychological training also gives 'Clown Doctors' the opportunity for insight and reflection. 


As part of our continuous learning program, Ibtissama 'Clown Doctors' attend 2 to 3 workshops annually with Mr. Morganti to further develop their skills, and monthly psychological counseling and sharing of hospital work experiences with Dr. Gharzedin. 




Do you welcome volunteers?

Yes, we welcome volunteers, but obviously not as 'Clown Doctors'. They can help us in raising awareness, fundraising whether directly or through organizing fundraising activities, networking, etc. Whatever you do, we can always find a way for you to volunteer with us. Just get in contact with us! 




So you have full-time employees dedicated to visit hospitals, do you recruit new talents? 

Yes, our 11 Clown Doctors. And we do recruit new talents when there is a need. We currently are not recruiting. But usually we advertise in newspapers, word of mouth, theaters, and there is an application form on our website.


What kind of activities do you usually undertake to raise awareness and funds for the organization? 

We participate in university NGO fairs, we hold Red Nose Days at schools whereby our 'Clown Doctors' introduce Ibtissama's work and red noses are sold to students. This year we will throw our first Gala Dinner, and we plan other fundraising activities continuously.


How did you meet Cupcake Box?

I was introduced to Randa Kabrit, founder of Cupcake Box through a common friend; thank you Nibal! 

I saw Cupcake Box's Facebook page and I was instantly hooked. Randa is an amazing person; her enthusiasm and positive energy are beyond great. Her concept is a great one as it combines her love of helping others with that of baking. I encourage everyone to do that, find something you are really good at, whether it is designing clothes or jewelry, cooking, painting and give us a call. We would love to collaborate with you. 


Ibtissama and Cupcake Box Bake Sale at AUB
Photo Credit: Ibtissama

How are you and Cupcake Box collaborating and how can people support you? 

Ibtissama is Cupcake Box's Charity-Of-The-Month. That means that profits from the sale of all cupcakes during the month of May will be donated to Ibtissama. How great is that? We held a bake sale with Cupcake Box at AUB a week ago, and it was a huge success. You can support us by eating cupcakes! No need to thank us! (laughs) So whether you are celebrating a birthday, a baby shower, an engagement, throwing a bachelorette party, having friends over or simply craving a sweet treat, get in contact with Cupcake Box, place your order from their wide range of delicious cupcakes, muffins and cookies. It is as simple as that!




The above statement is fully endorsed by this blog! ;)


You heard the girl! You know what to do!






Useful Information and Bookmarks: 

You can support Ibtissama’s project by contributing to:
Smile Foundation 
Bank Audi, Beirut, Lebanon
IBAN: LB35 0056 0000 4997 2461 0020 2101

You can also: 
Sponsor a number of visits, a hospital, a 'Clown Doctor'
Make a donation in memory of a loved one
Why not organize a fundraising event with you friends, family or community etc.

Volunteer, collaborate, raise awareness about this worthy cause; the sky is the limit! Just get in contact with Ibtissama

  • Address: 135 Sakiat Al-Janzeer Street, Jade Bldg., Ground Floor, Ain El-Tineh, Beirut 2039-4505, Lebanon 
  • Phone: +961-1-801264 EXT: 115 
  • Fax: +961-1-790879 
  • Email  
  • Website 
  • Facebook  
  • YouTube  
  • Twitter

You can also visit Ajialouna and Théodora Foundation online.




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Saturday, April 28, 2012

If great minds think alike,

English


Great hearts do alike.

I love it when good people, people I love, join forces to do something really powerful. Something not just for them. Something that has the potential of improving so many other lives. 

As I had posted earlier this week, my sister who works in Cancer research, will be running the Course des Héros in Paris, this coming June. 

My Super N

She sent out a call to all her friends and acquaintances to give her a hand in collecting the 300 Euros she needed to raise to be eligible to run in the race alongside her colleagues from the Association pour la Recherche sur le Cancer - ARCShe got them in less than a week! Which was wonderful news. And which meant the people around us are really kind and generous and give us the power to do even more. 

So my super-sister pushed the challenge further and committed to get even more donations. Let's hope she makes it. And she will if you would support her any way you can and help us spread the word!

A note to readers who live in France: your donations are tax-deductible.

Useful links and info:


We are very grateful to all the generous supporters, including our one and only Cupcake Box! If you have not heard of this wonderful initiative, make sure you take a look over here ;) 

Super N Donations Page

And while we are on the topic... We were so glad to find out Cupcake Box had partnered with The Nawaya Network this month and we are as excited about next month's partner: One Wig Stand :) Did I say how much I love it when good people, people I love, join forces to do something really powerful? ;)



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