Showing posts with label CeleBlog. Show all posts
Showing posts with label CeleBlog. Show all posts

Tuesday, November 26, 2013

The Real Truth... On Dana and Lara

English


If you have been anywhere near a computer or a smart phone in the past few weeks, you probably already know about "The REAL Truth".

My own personal truth is, as an Arab (and more specifically an Arab woman) I have always felt cheated by Arab leadership. Our people are never heard and those who gain enough exposure use archaic (pathetic) and boring approaches to voice their causes (because it's usually their own causes although wrapped in a nice "for the people" package). 

We have become accustomed to the long - oh so terrifyingly long - speeches packed with overused and abused slogans and washed down with a cup of your finest propaganda (which, and this may come to you as a surprise, dear politicians, does not age well - it's propaganda, not wine).

Well, the disappointment ends here, folks:





All Hail The Women with brain, beauty and immaculate English accents!
Did you just see that? 
Did you just hear that?

These women rock!

Not because of their English proficiency which incidentally is an added value when talking to non-Arabs (no, we're not all bearded terrorists who speak like Bond villains and therefore must be evil). 

Unlike the usual  "no, that is not true, Israel is evil, look, they are killing our children" speech that we keep hearing and although true but never built on clear, intelligent argumentation; this video actually answers specific propaganda with wit and facts. Facts. Facts. Not just slogans and arab nationalism cheers. We are not robots who have been repeating the same thing decade after decade. We are human beings who have been fighting for our right to exist decade after decade. 

And they are women. Beautiful, intelligent, educated and well-read young women. Yes, it may sound like good PR to have a gorgeous face associated with the Palestinian cause, but mostly, to me, it is more than that. It shatters the stereotype that Arab women are submissive victims at the hands of their abusive men, societies and religions. We all know, far too well, that domestic and women abuse remain continuous problems worldwide (unfortunately). So for the West to patronize us about it, over and over again, depicting our Arab women as weak, uneducated and unable to fight for their own rights is simply laughable. Look at yourselves first. And look at our women. In the above video. Not all Arab women are that well-spoken and educated? True. Neither are all Western women. Or men for that matter.

Ok, clearly, I am a fan. 

And I could not resist contacting Dana Dajani and Lara Sawalha to find out more "The REAL Truth" and the brilliant people behind it.



So who are Dana and Lara?

Dana Dajani: My name is Dana Dajani, my father is Palestinian from Jerusalem and my mother’s parents are Syrian/Gazan. Born in Jordan, raised between the US and the Middle East, I studied theatre in the United States and received my bachelor’s of fine arts in Chicago. I moved to Dubai two and a half years ago to help promote the performing arts in the Middle East.

Lara Sawalha: My name is Lara Sawalha and I'm a professional actress by trade, trained at Italian Conti Academy of Performing Arts in London. My mother is British, but she likes to say she's as Arab as they come, even with her blonde hair and blue eyes, and my father is Jordanian. I am fortunate to have them both be in the arts.

Photo courtesy of Dana Dajani



How did you get into films? Was it your very first experience with that medium? 

LS: My mother is a writer and my father is an actor/director/writer, which is where I found my passion for all things dramatic. My first proper stage appearance was with my father performing a politically satirical play, which is his forte, when I was 17 and the road was paved from there. I've been working in theatre and film for a while, but this specific genre (the YouTube clip) is a first for me and hopefully not my last ;)

DD: My passion is theater but I started working on films in Chicago and have probably acted in over 30 short films. This film was my first time working on a white screen interacting with animation!



How did the two of you meet and have you collaborated on common projects in the past? 

DD: Lara and I met on set at Kharabeesh studios in Amman in April 2012. We had never known about each other, but we ended up working together on another project for Bath Bayakha soon after, and have plans to collaborate on more work soon!

Photo courtesy of Dana Dajani



Why did you feel the need to answer Danny Ayalon's ad? Israeli and Zionist Propaganda isn't a new phenomenon, so why now? What was it with Ayalon's ad that made you tick? 

DD: I saw the video when it first came out two years ago and thought, how can there be such straight-up propaganda disseminated in our day and age, as if it was regular creative content for consumption? But honestly, all it takes is a good script and a production team and you can make anything happen. It angered me but I knew that personally I didn’t have the resources to properly respond. Lara and I were lucky to be presented with a good, punchy script, and a willing team to make it happen, so the question became why not? If not now, when, and who?

LS: I hadn’t seen the video until I got approached with the script, and when I saw it she I compelled to answer. We were given a chance to present an alternative view and we stepped up to the challenge.



What was the goal behind this casting? I'm loving the fact that Ayalon is massively arrogant and pompous and instead of having someone of his "caliber" speak to him, you opted for the totally opposite and in turn managed to ridicule him even more. 

DD and LS: Often times the Palestinian resistance is mostly comprised of young men, and overall this whole conflict is plagued by men- “old men dreaming wars for young men to die in”. We added a feminine element, we spoke for the youth. And at the end of the day, it’s all about public appeal: here were two females talking, more or less, like men, a bit cheeky and totally confident. It worked.



Where was the video produced and why? 

DD: The script was written in Ramallah, Visualizing Palestine is an international company, and Kharabeesh is in Amman, Standub.com is based in Dubai. I was living in Dubai, Lara was living in Amman. So we all gathered in Amman to make the video over two days. We shot on a white screen in one of Kharabeesh’s studios, using a simple Mark D7 (I think). We had lapel mics, and we macygvered a sweet-ass teleprompter out of an ipad, a reflective piece of glass and a podium.



That sounds so cool! How long did the production take and what tools did you use? Can you tell me more about the technical crew behind the film and how they worked? 

DD: Lara and I performed pro bono, it was a passion project for everyone. I’m pretty sure the animators worked pro bono too, which is why it took a year and a half to edit. As for Kharabeesh post production tools and team.

Jamil at standub.com, who directed the piece insisted "My aim is to highlight the fact that the writing and research was done by VP and Standub and the execution by kharabeesh. It was a group effort.

The 'nuances' and comedy was thought of and directed by the people from these 3 companies. The cost is that of research, scripting, actors, filming in a studio with green screen, editing, and then seperately days and days of animation and fact checking.

The point is, although this was a collaboration, modern day technology means that all you people need is a camera with some lighting and a laptop to make it happen. The important part is a) making it factually correct and b) getting the 'tone' right with people who understand humour. And we were lucky to have that behind and in front of the camera in this case.

The elements that went into producing this video were thought through and intentional. We would like to encourage others to collaborate and answer fiction with fact".

Photo courtesy of Dana Dajani



Now the content is brilliant! Who was behind the research and the script? It is so well written, not crowded with information and yet informative enough to discredit Ayalon and any previously heard lie about Palestine or Israel. 

I believe the writer would like to remain anonymous. Here’s something he wrote:

"Let them not know who's behind it, which is what I would prefer, hence why I did not take credit. People fear what they don't know. I want the Israeli government to fear that there is a growing movement of young Palestinians ready to respond to their rubbish propaganda. In a recent report issued by an Israeli think tank, The Reut Institute, they concluded that the BDS movement was the greatest threat to the existence of Israel because it was not one body they could target. Rather, it was a loose coalition of individuals and organizations united by ideology with no commander-in-chief.

Ayalan's argument was that because a Palestinian nation did not exist, Israel did nothing illegal. That's like saying nothing illegal was done to native american's because they didn't have an official 20th century style "nation state". What we were essentially saying was that we didn't invent our identity homie - Palestinians, the identity of the people who lived on this land, always existed. Our self-determination - and Israel's denial of our self-determination - is not contingent on any past form of "nation" status. To quote Shakespeare "What is the city but the people?

Except we chose to say this in a different way. No one has ever responded to official Israeli government propaganda like this. We just upped the ante".



I love the fact that for once, Arabs (and women at that, the stereotyped gender of weakness and submission) with immaculate English address the Western world. We can agree that PR-wise, the Arab world hasn't done very well. This video is a fantastic respond to all of that. At one point, you make fun of Ayalon's English accent which to me is so funny because Israelis love to emphasize their "Western" side when talking to the West and of course, directly or indirectly make fun of Arab politicians, leaders and general people for being or sounding too "Arab", as if being Arab is a characteristic rather than an identity. And a ridiculous characteristic at that, a characteristic that they feel are entitled to mock because it inferior and a reflection of terrorism (if we are not all white, English speaking folks, then we must be terrorists). How and why did you decide to do the same by mimicking the Israeli accent and what were your goals? 

DD: Honestly, it wasn’t a planned malicious attack. I was getting carried away in the moment of talking. What we do for a living a living is PLAY, so we tried bringing the element of play to more serious content. I’ve honestly been getting a lot of flack from Israeli’s calling me racist. My response is this: check out my comedy on my youtube channel. I make fun of many accents. Watch any good stand up comedian, see how long they go before putting on a character accent. It was all in good fun. And besides, If you cant laugh at yourself, no one will take you seriously.

Photo courtesy of Dana Dajani



The video went viral in a matter of hours, and with good reason. I am also confident the "debate" online must be heating up. What was the response from the Western world. I guess the Arab and Israeli responses are pretty straight forward but I'm wondering how other parties are responding and viewing this? 

LS: Arabs love it, they send us lots of praise, “we’re proud of you, bterfa3o il ras”, for a while we were getting a lot of support mail. Some Israeli’s have reached out to tell us that we “cannot change the course of history”. They’ve also dedicated blog posts to bitching about this video and the comments are pretty hateful. There was a British Pakistani ex-Muslim pro Zionist who blasted me on twitter, and now she follows me.

DD: One blogger actually investigated us and went so far as to call me a “whore” because I am a model and “Hamas would disapprove of my photographs”. For a few days it was pretty stressful because all of my social media sites were being trolled by Israelis posting really hateful and disgusting things (“you’re an arab, this is what I think of you.” then posting a link of a Syrian girl being decapitated). I’ve also gotten responses from Americans, Spaniards, and people from the Netherlands, thanking us for making this video and opening their eyes.



If someone decides to poke at your video and its content, do you plan to retaliate? 

DD and LS: So there have been blog posts and a debunking video. Also someone has asked to do a response video for another film. I don’t know if the whole team will be involved. But we definitely want to keep up the energy now that this is out.



Your video has done tremendous good in spreading information that people tend to forget or don't even know. Do you plan on making more of these videos to educate the West about our issues? 

DD and LS: We would love to do another one, even in response to the rest of his videos. Because this is fresh, it’s the most commotion that’s happened about Palestine in a while. Usually it’s the daily article on something or other being destroyed. So we’d like to keep generating creative content about the causes dearest to our hearts.

Photo courtesy of Dana Dajani



Any final words to Ayalon? 

DD and LS: We’ll be back.

I'm fed up to the ears with old men dreaming up wars for young men to die in.  ~George McGovern

One determined person can make a significant difference; a small group of determined people can change the course of history. ~ Sonia Johnson



As you're about to click away from this site, don't forget, sharing is caring, so keep the momentum going and help spreading "The REAL Truth" all around you.





And stay tuned for more by Dana Dajani as she prepares to release her upcoming video:
Love Letters From Palestine
A Poem Filmed in Bethlehem   



Bookmarks:






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Saturday, November 9, 2013

Twice Upon A Time

English


My friend Niam Itani will be celebrating her birthday soon. Why is it relevant to this blog? Well it is not really. But her wish-list at the moment includes only one gift: to have the opportunity to produce her upcoming film.

So I thought, what better way to celebrate the birth of a kind and talented soul than by supporting the birth of her wonderful project:

Source: Placeless Films


The cinema industry in Lebanon and the Arab world is usually brutal. Especially for young talents who do not have influential connections in the entertainment world, let alone those in the documentary field. Money does not come easy and yet, those films are how we can write our history. Our legacy. 

So why should we care?

Because although a little fun is always welcome, we have a responsibility to leave behind a trace. Something that speaks of our humanity, not only our surgically enhanced beautiful women or unbelievably brain-numbing (so-called) arts. 

How can you make a difference?

The internet is a fantastic medium because it connects people together in ways like we had never knew possible before. It is brilliant because it opens doors to infinite information and knowledge. And it is fantastic that way because people who want to make a difference can reach other people willing to help them and get the support they need to follow through and actually do something. 

This is how inspired independent filmmakers who wish to keep their integrity intact and tell their stories, genuine stories, are now reaching out to all of us. Through crowdfunding

You can now be part of the making of films you care about. How amazing is that?

What is Niam's story?

In her own words, "In 1989, my parents left Beirut for a small village in the Bekaa Valley called Ghazzeh. I was eight years old. In 2012, Khalil's mother left Syria and took refuge at our house in Ghazzeh. Khalil was ten years old. This film tells the story of my friendship with Khalil, and our efforts to find hope and joy in the midst of madness and despair. It is also a personal reflection on childhood, nostalgia, home, belonging, memory and war".

To find out more about the film and Niam, please follow this link. Trust me, you will not regret it.

And if you can, please help us tell the story of Niam and Khalil. Leave a trace with us. Donations can be made through that same site, and the smallest gesture is impactful. Even if it is to simply spread the word. So please do! And if you decide to be part of the film and donate, then that would simply be phenomenal and unbelievably generous!

This is one story Niam cannot wait to tell with you and to you.

So thank you for taking the time to read.
And thank you in advance for taking a moment to help.



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Sunday, June 9, 2013

Opening windows of beauty: Introducing Young Talents

English


While in Lebanon, I walked a lot. Mostly in Hamra. And Hamra is a street packed with art, beauty and vision. 

Fine, Beirut is not really the most beautifully designed city, I will grant you that. But the Lebanese have got a gift for marking their territory in very special ways. Be it street art, graffitis, festivals, and even trolling!

And while heading to BusyBox one afternoon, there it was:
Photo: R. Abouzeid (source)

The most beautiful window display I had seen in a very long while: book pages flowing in the wind, flying away from the gorgeous blue bike carrying them. 

Naturally, I shared it on Facebook and someone who knew the designers was kind enough to tag them. I immediately got in touch and now have the utmost pleasure of introducing them to you.

Ladies and gentlemen, I give you (in alphabetical order):



Hello ladies, how about a short introduction first? So who are the brilliant designers behind that outstanding window display?

Christina: My name's Christina Atik, call me Tina for short. I think what I live for most is getting out of the city and unwinding by the river... Oh and movies. I watch a lot of movies. I only have my Tumblr where I sometimes post some little things I make.

Lana: My Name is Lana Idriss. I love baking, cookies to be precise so please, do send me recipes if you have any interesting yummy ones! And I am an art enthusiast…

Mowana: My name is Mowana. I am a third year graphic design student in the American University of Beirut, minoring in studio arts. After three years of design and art, I realized that being a visual artist has became a big, rather huge, part of who I am. However, I still find time to cook and bake. I am good at it I must add. You can find me on facebook: Mowana Sabeh or twitter: @mowanasabeh.

Joanna: Hello! I'm Joanna! It's the small beautiful things in life that make me happy in life. I love to express myself through different ways such as the arts and dancing.


What led you to design?

Christina: Honestly, it was my dad who got me into photography. He taught me everything. There's also my uncle Camille Issa who's a fashion designer, I used to spend hours getting lost in his studio! It was quite wonderful! 

Lana: Actually my Teta is an artist. But I guess what really led me to design is my love for the arts… I could never see myself doing anything else! My sister did her BA in graphic design at AUB as well, and seeing her projects covering the walls (and floor… and ceiling) of her room, were what encouraged me to follow on her footsteps. 

Mowana: Design in general was rather a natural direction for me to take. My mom always wanted to be a fashion designer growing up, but I came along and messed the plan. And my dad works in the fashion industry. Graphic design seemed like the perfect major for an artistic direction in a disciplinary education.

Joanna: Honestly it was a mistake, I never intended to be a designer but I got accepted into graphic design in AUB so i decided to try it out.. Turns out I love it!


How did you come up with the concept for Antoine's display and what was the inspiration, the story behind it? In this era of digital, your focus on paper books is quite interesting and intriguing. I find it quite romantic but also a little sad, all these pages flying away, like paper books are in a way

Christina: We wanted to use paper art somehow, and relate the theme to spring.. It was actually one of Joanna Zeenny's sketches, and we just sort of made it happen.

Joanna: For some unapparent reason we all agreed in the group that we wanted to infuse life back into paper. Whether it's because as designers we really enjoy paper or whether we are paper enthusiasts, I'm not sure. But having looked at some paper art, we realized what a grand effect it can have on people and decided to use it.

Lana: We wanted to portray the feel, the joy in reading a book… I don't know if this would make any sense, but we somehow wanted to show how the words in a book, the story, the joy of reading can take you away… How it can free you and your mind… 

Mowana: I am not against e-books or the digital formats of books, however, I find that holding a book and flipping through its pages has its own charm. Touching the paper, smelling it, feeling the ink on the page… All are a major part of the reading experience. What we wanted to show in the display is that experience and how the book can take you to all whole new world. And after a lot of sketches we thought that the flying paper in an outdoors scene conveyed this message.

Sketch and Photo: J. Zeenny


How did you approach Antoine and why? What was their response to your proposal and how did they welcome and support you?

Lana: It's all because of a design project: we had to pick a shop in Hamra, and we had to design their window display. 

Christina: We were looking for stores for our project when we bump into my friend who used to work in Antoine, and he casually said why don't you do your display there. They didn't give us any restrictions, we were free do design whatever we want as long as it was relevant.


Is it your first project with a professional business? Did you work on other Antoine branches too? 

Joanna: Yup it was. And it was pretty scary for us to say the least but it was a great opportunity as well. But we didn't have the chance to work on other branches.

Christina: Yes, for me it is my first project with a business. So far everything I have done was for university projects. 

Lana: We did not get the chance to work on another Antoine branch. My work experience basically consists of some small design jobs here and there; nothing major.


What is your most inspired and favorite project and why?

Joanna: I'm a very hands-on person so my favorite project by far was the Antoine display. We were a good team that were passionate about books. It doesn't get any better!

Lana: I really enjoy branding and corporate design, creating identities for companies... But designing a window display was awesome and different from all our other projects. A SMALL SKETCH CAME TO LIFE! I would love to do that again some day. 

Christina: My favorite project was probably designing a book cover for Jack Kerouac's "On the Road". Mainly because it's one of my favorite books, and I got to use some photographs that I took with a pinhole camera which was really fun. 

Photo: C. Atik

Photo: C. Atik

Photo: C. Atik

Photo: C. Atik

Photo: C. Atik

Where do you find inspiration? How and why?

Christina: I find my inspiration late every night at the end of my cup of tea. Mostly I flip through magazines and design books until my eyes give up. Gerhard Human is one of my favorite illustrators at the moment and Ryan Mcginley is absolutely the best photographer, but that changes depending on the phases I'm going through.

Lana: Personnaly, for inspiration for projects, I check everything I could get my hands on. You could find me in the library with piles of books, from historical to design books, staked around me, or in a cafe with a bunch of magazines and my laptop and coffee of course. 

Joanna: Inspiration can be found in anything really, books are a beginning but then music can help as well as any kind of visual research.


What areas of design interest you the most and why?



Christina: I really like design that imposes itself on the community, like installations, and I absolutely love print. Anything from books to magazines to comics!

Lana: I have always loved everything print. I would prefer working on a magazine or on a book, anything that would end up being printed and in front of me, that I would be able to touch, flip and move, than working on designing a website.

Mowana: I find print the most interesting. I like the process of choosing paper, test printing and seeing how the ink interacts with the paper. I love typography too, that is the design of letters themselves. I love letters. I love fonts. I love how it is black and white. 

Joanna: Print is a good start but I adore installations and how they end up working in a certain environment.



What are your best qualities as a designer? 


Christina: I'm not really sure how to answer that, I don't think I've perfected my skills as much as I'd like to yet, but I'm pretty handy with a camera.

Joanna: I'm not sure, but i do like everything to be perfected, and that is really helpful when it comes to design.



Your weaknesses?



Christina: Probably procrastination. I work best under pressure.


Lana: I have very hyper personality. And I am very clumsy.

Joanna: Getting to attached to a certain idea probably.




If you hadn't been a designer, what profession would you have chosen?

Christina: I would have probably went into something related to audiovisual or cinema.

Lana: That's a hard one… I can't see myself doing anything else other than design. But I would love to perfect my art skills and become a full time painter!

Mowana:
I think I would have been a psychiatrist. I love to study the mind, how it functions, and how you can cure an illness by changing how a person thinks.

Joanna: Dancing, definitely dancing!



If you were stranded on a desert island with only one item, what would that item be?

Christina: I wish it were a tropical island instead of a desert, I doubt I can stand the heat! But if the heat didn't kill me, the boredom probably would, so I'd take my music collection for sure.



Lana: A magical big music box filled with chocolate fudge ice-cream… I need my music and I need my ice-cream!

Joanna: Music.


What design softwares you cannot possibly survive without?

Christina: Photoshop, Illustrator, InDesign, After Effects, Premiere.

Mowana: InDesign, Illustrator, Photoshop, all are Adobe products.




Are you MAC or PC?



Christina: Mac, because they're more design friendly, and they can handle all the programs that we use!

Lana: Mac, because it's pretty! (laughs)

Mowana: Mac. It is more design friendly. And it can handle simultaneous work on different programs. 

Joanna: Mac for technical reasons.


Where do you see yourself in ten years?

Christina: Catching a plane.

Mowana: I’d love to have a small studio where I can be working on selected projects that are a bit personal.

Joanna: Hopefully traveling all around the world volunteering and making someone happy.




Wrapping it up, in a few words


Christina, if you were a...

Font: I'd probably be Avenir, because it has so many weights that work so well together, it works with everything really

Color: Green

Shape: Circle

Song/Musical Composition: Feeling Groovy by Simon and Garfunkel


Book/Literary Piece: On the Road, by Jack Kerouac

Famous character: Anna Karina

Logo: Radiohead logo



Lana, if you were a...

Font: Futura! I like how its Os are super circular… (my answer might change next week though)

Color: A turquoise shade! Or maybe a pale pinkish orange (salmon). Or maybe a burgundy red! (I can't pick one!) 

Shape: A weird unusual bouncy shape

Song/Musical Composition: Any Nina Simone


Book/Literary Piece: Where the Sidewalk Ends by Shel Silverstein

Famous character: The Mad Hatter from Alice in Wonderland "we are all mad here"

Logo: The Penguin Books logo



Mowana, if you were a...

Font: Tough question. I think I would be Shawati’. It is an Arabic font designed for Shawati’ Magazine, Abu Dhabi

Color: Black 

Song/Musical Composition: Stay by Hurts

Film: Pocahontas

Book/Literary Piece: Lord of the Flies by William Golding

Famous character: Hitler

Logo: The Starbucks logo



Joanna, if you were a...

Font: Probably Serifa

Color: Yellow

Shape: Triangle

Song/Musical Composition: The Great Gig In The Sky by Pink Floyd



Famous character: Legolas




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Friday, April 26, 2013

Two cute little flies on the walls of...

English


... The Lebanese Parliament.

They saw it all and lived to tell.



You know I love Michelle and Noel Keserwany

These two gorgeous and talented young ladies seem to know how to do it all. They write their own lyrics, compose their own music and even animate their own videos! Gotta love multifaceted artists. 

And to top it all, they are always right! 

You do not believe me? 
Click on "play".


Bookmarks:



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Saturday, December 15, 2012

Jewelry For A Smile

English


Ibtissama is one of my favorite organizations in Lebanon. And with good reason: their mission is to brighten the days of children stuck in hospital beds, what could be kinder than this? If you want to learn more about what they do, swing by the interview that first introduced me to their Clown Doctors ;)

Now Ibtissama is going to make you or someone you love smile too. They just launched a Jewelry line in collaboration with MAC DESIGN:

Jewelry for a cause: the Launch of the Ibtissama collection by Mac Design  
Ibtissama’s mission is to bring a much-needed smile to the faces of hospitalized children in Lebanon. Ibtissama’s Clowns Doctors were able to reach and make 13,130 bed visits to hospitalized children; most of them suffer from cancer and other chronic illnesses. The four hospitals that Ibtissama project currently covers are Rafic Hariri University Hospital, the American University of Beirut Medical Center including St. Jude affiliated Children Cancer Center of Lebanon (CCCL), Hotel-Dieu de France and Makassed General Hospital. Ibtissama hopes to widen the reach to other hospitals with the increased support of the Lebanese Society. As part of sustaining its activities in Lebanon for its fourth year running, Mac Design partnered up with Ibtissama to create the full range Ibtissama jewelry collection. 100% of the proceeds will benefit Ibtissama's mission. The collection can be found at all Mac Design branches. 
For further information you can call the project coordinator Ms. Sara Kabbani, Smile Foundation, 01-801264, Mobile: 03-915806, email: sara.kabbani@ibtissama.org

The designs are very cool and they would make for perfect gifts this Christmas or on any other occasion:








Necklace and bracelet are at 30 US Dollars only and ring and earrings at 45 US Dollars only. It is worthwhile noting 100% of proceeds are donated to Ibtissama.

So why don't you rush to the nearest Mac Design store now (ABC Ashrafieh, ABC Dbayeh and Saifi Mar Maroun Street) or get in touch with Ibtissama for more information:

  • Address: 135 Sakiat Al-Janzeer Street, Jade Bldg., Ground Floor, Ain El-Tineh, Beirut 2039-4505, Lebanon 
  • Phone: +961-1-801264 EXT: 115 
  • Fax: +961-1-790879 
  • Email  
  • Website 
  • Facebook  
  • YouTube  
  • Twitter



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Wednesday, June 13, 2012

Introducing Young Talents: Niam Itani

English


Niam Itani is a storyteller. She takes pieces of life and translates them into words, narratives and tales. She gives life to what is inanimate. To chunks of abstract. To snapshots of imagination. She has no children but she is the mother of tens of souls. They live in her pages and on the screen where their lives are rendered into moving images.

Because Niam Itani is a filmmaker.

Born in Lebanon where she lives and works as an independent screenwriter and filmmaker, she graduated from the Lebanese American University with a Bachelor Degree in Communication Arts and a Master's in Education. She then completed her Graduate Screenwriting Program at Hollins University in Virginia, USA before returning home to her alma mater where she currently teaches screenwriting.

"I worked for five years at Al Jazeera Channel in Doha, to get some experience and save money for my graduate tuition fees. When I returned from "Exile" (ghirbeh) people thought I had come back with a fortune, when in fact I was paying my savings for my Screenwriting MFA, so I returned with a degree instead. It was my dream to study screenwriting since I finished my undergrad degree in 2000, but for older relatives and acquaintances in Lebanon, the only good thing that come out of "ghirbeh" should be cashable at the bank. I think for them I might still be a failure". (smile) 


Some might disagree. In fact, Niam has been successfully featured in many film festivals worldwide and her latest short, Super.Full. has been selected out of more than 15,000 films from 160 countries, to compete in Your Film Festival, an online film festival organized by YouTube and Google Inc., in partnership with Sir Ridley Scott and the actor Michael FassbenderSuper.Full. is the only film from Lebanon and one of two Arab films in the competition.

Niam Itani

What got you interested in filmmaking? 
It was simply my desire to do something different than others when it was time to choose a major at university. I knew what I didn't want so I chose Communication Arts with an emphasis on Radio, TV and Film. And I fell in love with filmmaking.

Who is your favorite filmmaker?
Every passionate filmmaker is my favorite filmmaker. The first was Andrei Tarkovsky and countless others followed.

How would you describe your film education? 
My undergraduate and graduate film education were both so overloaded with film and theater work and so much fun, mainly because of the overnights that helped create lifelong friendships!

Is there anyone you call a mentor? 
Every teacher in their own realm were mentors. There isn't enough space to mention them all. I have a special place in my heart for my theater teacher Lina Abyad because she transcended the traditional student-teacher relationship and gave me advice on lots of issues that were life changing, with or without being aware of it!

What advice do you have for students interested in attending the same school? 
Anybody who wants to go to film school needs lots of passion, lots of courage and craziness and lots of discipline. I know that the last two are very difficult to balance, but that is my advice to every film student who wants to succeed.

What sort of internships and jobs have you had and what advice would you give to students interested in gaining the same types of opportunities?
I consider every free gig I worked on since I was a student and until now an internship. A special internship was the one I got at Aljazeera because it taught me alot and was a platform to work along many experienced and veteran journalists and filmmakers. My advice for students looking for opportunities is to say "YES" whenever they have time, and make every opportunity a learning experience. Get to know as many people in this industry as you can.

Super.Full Poster

Tell us about your experience at festivals.
The first time one of my films competed in a festival was in 2005. A short documentary I made was chosen for Aljazeera International Documentary Film Festival in Doha, Qatar. I was 24 and for someone who hadn't traveled much it was a thrilling experience. Later my student film in Hollins won an award in a student film competition in Canada. Super.Full. is the best festival runner so far. It has been selected in 14 film festivals so far and Your Film Festival is the 15th one. Festivals are an excellent way to get your work and yourself out there. They introduce you to new countries and new cultures and for an introvert like me, they put me face to face with strangers. Although I always beg a friend to meet me wherever I fly!

What areas of filmmaking interest you the most? 
Screenwriting is what interests me most. I am a loner. I love the idea of plugging my earphones and pouring my heart out on the page. I enjoy the acts of creating and manipulating characters, and above all, I love telling stories.

You have worked in Theater. How does it differ from Film and where do you feel most "yourself"?
Theater and film are spiritually very fulfilling for me. Theater carries much more thrill, being live and raw. For now I see myself writing for films, though I'd love to try playwriting in the future.

You also have worked in TV. What are some of the main differences between cinema and television? Are there specificities to the Arab world in that regard?
I can't compare Cinema to TV. Film is Art. TV can be art, but it is business. In the Arab world, unfortunately, most TV stations are propaganda outlets. I always advise my students to stop watching TV when they are working on films.

What do you consider the elements of a good film to be? Name a film you would regard as an example. 
A good script, first and foremost. Of course a harmonious production team is always needed to translate the writer's and/or director's vision to the screen. There are lots of good films out there. American Beauty and Little Miss Sunshine are two films that I refer to often in my film classes. I am also a huge fan of the Coen Brothers' films.

You teach screenwriting, name the one film you consider to showcase excellence in screenwriting.
I always change the examples I use in my classrooms, mostly to challenge myself and study more screenplays every year. This year I used a Russian film to show good screenwriting: The Return. The year before I used American Beauty. A Separation was an excellent screenplay for this year, and I thought it deserved the Academy Award for Best Screenplay par excellence.

What sort of things do you study when watching a film?
Sometimes I just let go and don't consider anything. But most of the time I can't help but watch for plot points, act breaks, character identifying lines, etc. It becomes intuitive.

Who are your favorite screen actors and why do you admire their work? 
I don't have an all time favorite screen actor, but I love certain actors in certain roles. There are some that earned immortal acclaim like Al Pacino in Michael Corleone, or Robert De Niro in Taxi Driver, Jack Nicholson in Chinatown and many others. I mostly admire actors work when I feel that they took a challenging role, not one that "fits" who they are. Brad Pitt in Burn After Reading is an example that jumps to mind.

What are your best qualities as a filmmaker? 
I have a thing for observing life and people around me and a good eye for detail.

Your worst? 
I try to please everyone.

What inspires your work?
Daily life, for the most part, is where I get my inspiration.

What is the most inspired project you have done? 
My most inspired project is a screenplay I wrote really fast last year. It is my heart's favorite because it is a comedy, it takes place in Beirut, and its protagonist is a "Itani". I am waiting for my screenwriting experience to increase in order to polish the script well. But it is my favorite screenplay so far.

Super.Full.

Tell us about Super.Full. 
Super.Full. slowly developed over the years, between 2007 and 2010. I come from a middle class family and when I saw the world I was exposed to so much poverty and so much wealth, the differences made me sick -literally. But I noticed that the poor were always more content. That was my motive to make the film. The filmmaking process was facilitated with lots of help from my friends and from MAISHA (the Mira Nair association) and from the Doha Film Institute because I was a Qatari resident at the time. DFI assisted us with the equipment and the facilities and key production people, namely a professional DOP and Sound Recordist, and the rest was personal investment. There were lots of production challenges really but none of them was major. I will be publishing "Super.Full. stories" on my blog which everyone is welcome to read and learn from, hopefully. Distribution wise, websites and distribution arms contacted me after festival screenings to show the film for a fee but I refused. I made this film because I want it to be seen and I was planning to make it available online for free, whether through Your Film Festival or simply Vimeo and YouTube.

Are you working on anything new?
I am working on my first feature film, which I hope to film in September 2013. It is a drama intended for theatrical release and festivals alike. We still didn't send out the rewritten script to anybody yet but we will be submitting it to major production grants and funds later this summer and next fall. I am looking for funding but I am a firm believer that with tighter financial power, more hearts go into production. And a production with more heart is usually better on screen than one with more cash. 

How would you describe the film industry in the Arab world and in Lebanon in particular? 
I love that there were many Lebanese films produced last year and this year. There is no industry yet, per se, in the Arab world. But that doesn't mean we cannot make good films. Nadine Labaki made two films that won international acclaim and she is paving the road for other Lebanese and Arab filmmakers. For the mere fact that she gives us hope, I think we have to salute her efforts.

What advice do you have for anyone interested in trying to succeed in our part of the world?
The journey is long, so don't let go. Be in it to win it. Be bold, be free, be truthful.

Super.Full.

If you hadn't been a filmmaker, what profession would you have chosen?
Anything that has to do with writing.

Outside of films, what are your hobbies? 
Tennis, soccer (football), reading, photography, music, life!

If you were stranded on a desert island with only one item, what would it be? 
My eyeglasses, please!

Where do you see yourself in 10 years? 
Hopefully writing screenplays for other directors. I have lots of stories to tell and I enjoy writing more than directing. I hope some people would want to put those stories on the big screen.

Where can readers view your films and learn more about you? 
My website for a professional version or my blogs (here and here) for the human version. They can also follow me on Twitter, Facebook, LinkedIn, I am all over the place! (smile)


In one word, if you were a

Film? The English Patient 

Soundtrack? Babel

Book or literary piece? Annabel Lee - Edgar Allen Poe

Color? Navy Blue

Shape? Circle

Famous character (real or fictional)? The Talented Mr. Ripley!

Super.Full.


Make sure you watch Super.Full. here and vote

This one tiny click of yours can make a huge change as Your Film Festival is now inviting everyone to take part in the voting process in order to select the films that will be screened at the Venice Film Festival. You can vote once a day, every day, until July 13th so make sure you try to pass by daily so Niam can get a shot at making a film with Ridley Scott's production company! 

How awesome would that be, right?

     

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